Review of No Remorse

My thanks to Chelle at Curled Up with a Good Book for another lovely review. So pleased you enjoyed the story.

‘The plot is brilliant – I hadn’t foreseen what was going to come at the end! Robert takes us on a complex and intriguing journey with the wicked twists and turns that I have come to expect, and love, from Roberts writing.  No Remorse takes you on a bit of an emotional rollercoaster – my feelings towards some of the characters changed numerous times!’

No Bodies Review

Another terrific review for No Bodies from Chelle at Curled up with a Book

‘You can’t help but be sucked in and enjoy the ride with Kent. The novel will make you laugh in places – Kent does get himself into some sticky situations – and I really enjoy the humour throughout the book. The plot is fantastic, with plenty of twists and turns to keep you completely gripped; and if that’s not enough – just wanting to know what will happen to Kent’s animal sanctuary will keep you turning the pages!’

An interview with author J A Schneider

I’m delighted to welcome psychological suspense author, J A Schneider to Robservations. Her latest novel, What You’ve Done, is released tomorrow, 16th April 2020. I was lucky enough to read it recently and it’s brilliant, driven by a strong lead character in attorney, Mia Pearle, who feels a sense of responsibility and guilt when 16-year old Kelly is brutally murdered in a quiet town in Connecticut.

Having also read and thoroughly enjoyed Girl Watching You, I thought it was time to find out a little more about J A Schneider.

Please tell me a little about yourself and your writing.

When very young, I’d hear complaints that I’d rather read the back of cereal boxes than “join in the discussion.” Ha! Well, small talk can be small indeed, right? Much more thrilling to escape the mundane and imagine exciting stories. So that’s me at the core: wild imagination, cooking up stories since forever.

And that led to being a reader, which led to being a French literature major in college/university, which led me next to working at Newsweek…where everyone dreamed out loud about writing the next “great American novel.” Back then, I never dared dream I could actually write fiction but I listened, and kept reading everything, pulp to Jane Austen.

When did you first realise you wanted to be an author?

Maybe it was the moment I started timidly, not really serious but “what the heck, let’s see if I can string sentences together.” My husband Bob and I were living in Paris, I’d had two glasses of wine and was off – scribbling on the back of a paper menu in a café. He thought it was funny. Our waiter came along, looked curious, and tried to read over my shoulder. Bob told him I was writing a novel and he said, “Ooh, mais qu’est-ce qui se passe?” (What’s happening!?) Seeing him grin and his eyes light up was magic. It was the first time I had dared tell anyone not a loved one that I was writing fiction. Such a serendipity, but I started more seriously soon after.

Describe the first piece you wrote and what it meant to you?

When my children were young, I wrote first for our local newspaper – people interest stuff, historical stories about Colonial times in Connecticut. It was nice to see people react to them, less nice when people found fault – “Greenwich was not founded by the Dutch!” – so I decided, nuts to non-fiction, if you write fiction no one can argue, it’s your thing. Back to scribbling fiction I went.

What do you most enjoy about being an author?

Feeling an exciting idea come to me.

What do you least enjoy about being an author?

The marketing and promo part, since I publish independently.

What type of characters do you love and hate to write? Why?

Do you mean love but hate to write? None! I enjoy developing all characters, imagining their innermost thoughts. In a way the villain is the most fun. Peter Pan would be no story at all without Captain Hook.

Can you tell us about your time at Newsweek magazine and how it influenced your writing career?

It was the most writing-intense experience ever. Every Friday night was a deadline. We had to research and write fast but succinctly – no padding. I’d watch whole paragraphs I’d slaved over get cut…so there was that aspect. Also eye-opening were former writers who’d published bestsellers and quit, then come back to grin and tease: “What are you still doing here? Write a novel!”

I believe you keep a list of inspirational quotes. Could you share a couple of your favourites and how they relate to your writing journey?

  • “Don’t tell me the moon is shining; show me the glint of light on broken glass.” Anton Chekhov
  • “Every paragraph I write is a surprise to me. Ideas comes as I write.” Lee Child
  • “We’re not writers, we’re re-writers. Nobody gets it right the first time.” Stephen King

I write on my laptop, and for the first draft keep three documents open: In the centre, the growing story; to the left my “crutch” with lots of inspirational quotes, & to the right the story’s outline – which only goes down as I figure out the story…not before. I’ve tried to outline before I start, and can’t.

You’ve written two series and standalone novels? Which do you prefer and why?

Love ‘em both. It’s like deciding which of your children is your favorite. Series stories are somewhat easier, because I already know the main characters. Readers also enjoy feeling familiarity with the characters…but again, I do like mulling whole new standalone ideas, like a box of chocolates.

How would you describe your books to someone who has never read one before?

High adrenaline romantic suspense thrillers often with police procedural.

What’s the best compliment you’ve received about your books?

“You’ve helped me. Helped me get through dark times just by being able to escape.”

Do you have any favourite authors? What is it about them or their work that appeals to you?

Ira Levin: (Rosemary’s Baby, The Boys From Brazil, The Stepford Wives) I re-read him often, am still astonished at how he conveys so much with so few words.

Agatha Christie’s best (And Then There Were None, Death on the Nile, others) Same: her ability to say much with few words.

James Patterson: I love his pace, fast action; also his ability to say much with few words.

If you could invite four guests (fictional or real, alive or dead) for dinner, who would you choose and why?

Smile…JFK was asked that question and he said, “I’d just want Thomas Jefferson dining alone.” J  But okay, four guests? How ‘bout James Patterson, Ira Levin, Don Rickles and Mel Brooks? What fun that would be!

Please tell me about your latest project/plans for the future.

The next thriller. Will probably feature Mia Peale and Jay Colter.

Thank you for some fascinating insights into the way you work and what motivates and inspires you to write fiction. Good luck with the launch and the book.

What You've Done

A small town divorce lawyer (“I know people’s secrets”) blames herself when a client’s teen daughter is brutally murdered. She investigates and finds herself the killer’s next target.

Grieving the loss of her NYPD detective husband, former defence attorney Mia Peale moves to Grand Cove, Connecticut, desperate for a sense of community and hoping to rebuild her life. Now, starting a family law practice, she’s finally found friends and peace – until the teen daughter of one of her clients is brutally murdered, and the girl’s boyfriend stands accused.

Kelly Payne was an adored high school track star. Brian Hall is a poor boy in a rich town, and the community is outraged. But Mia has known Brian since her arrival and can’t believe he’s guilty, despite strong circumstantial evidence against him. As his defence turns lacklustre, she asks Grand Cove police detective Jay Colter for help. Jay is also sceptical of the police and DA’s case and takes them on, especially when Mia’s friend from her former Manhattan law firm uncovers a frighteningly similar murder in the city. Secretly, Jay helps Mia investigate both murders, but his alarm grows as her life is threatened by a maniac hiding among them.

You can find J A Schneider on

Facebook: https://www.facebook.com/joyce.schneider.142?fref=ts (friends)

https://www.facebook.com/JASchneiderAuthor?fref=ts   (author)

Twitter:   https://twitter.com/JoyceSchneider1

Goodreads: https://www.goodreads.com/author/show/5832782.J_A_Schneider

Website: http://jaschneiderauthor.net

BookBub: https://www.bookbub.com/authors/j-a-schneider

 

The origin of the series

My journey as a crime writer – Part 1

It started with a simple idea – could one person make a difference?

It could easily have been a woman, but I felt more comfortable writing about a male protagonist, especially one who was going to embody my values and experiences. I envisaged someone with a strong sense of fair play and justice, someone who would take action to deliver it.

But not a police officer. I’ve worked with the police, but I’ve no real idea what it’s like to be a murder detective or part of a Major Crimes Team. Besides, there were too many police procedurals in the bookshops and on TV. Even more now crime fiction is the most read genre.

Sue GraftonNot a private eye either. Though a huge fan of Sue Grafton’s Kinsey Millhone, who inspired much of what I was to create, there were also plenty of PIs on the bookshelves and TV.

I wanted an ordinary person to solve murders – someone different, distinctive and original.

The idea posed quite a few challenges, namely credibility.

Ordinary people don’t solve murders, do they?

You wouldn’t wake up one morning and decide to solve a murder. You can’t go down to the police station and offer to investigate some of their unsolved crimes to help them out.

And where would you start? How would you collect evidence? What about personal safety?

Okay, Agatha Christie and writers of cosy mysteries have had ordinary people solving murders for years, but I wasn’t interested in quaint village murders, solved by a local resident who judged competitions at the flower show. I wanted something that resonated with the real world, something contemporary, but still a traditional whodunit.

The choices were simple.

  • My protagonist could have a personal connection to the victim, such as a lover or close relative. This works fine for the first book, but it would become repetitive and unbelievable after a few of books. It wouldn’t take long before my protagonist had no close family or friends. I’d also need a list of killers with a grudge against him and his family.
  • The police arrest the wrong person. This seems to be a favourite among crime writers and TV dramas like Murder She Wrote. Again, it doesn’t take long to become repetitive. And I’ve never liked the idea of showing the police to be inept. They have a difficult enough job already without me adding to their problems.
  • The protagonist stumbles across something that puts him in danger. This is more thriller territory than murder mystery and I can’t compete with the likes of Dick Francis and Simon Kernick.

Besides, the thought of shoe-horning my protagonist into solving murders didn’t appeal. I wanted my ordinary person to evolve as a sleuth, not set out to be one. This seemed more natural and credible – more plausible in today’s cynical world.

In the end, it all came down to the character of the protagonist.

I needed someone with strong principles and a sense of duty. This person couldn’t simply stand by and allow an injustice to happen. He was no knight in shining armour, but someone who felt he could make a difference, albeit a small one. This was a man who had a history of standing up for the underdog, battling for justice and fair play.

He would also need the means and time to investigate, to take action. Either he was rich and retired or he had to fit murder investigation around his day job and life outside work.

Slowly, my protagonist began to take shape in my mind.

He was the kind of person I would have liked to have been.

This realisation clinched the deal.

I was an environmental health officer – a law enforcer, protecting the public, improving health and the environment. I worked with the police, which meant I had contacts that could help me, like a Scenes of Crime Officer, for example. I had the skills to undertake complex investigations, interview suspects and build a case to prosecute offenders.

I occasionally investigated deaths – people who were killed in workplace accidents. This was part of my role in health and safety at work, protecting employees and ensuring workplaces were safe.

All I had to do was disguise a murder as a fatal work accident and my protagonist would be drawn into his first case.

There was still plenty of work to do, several false starts to overcome, and my ability to bring such a character and story to life.

Those are issues for future blogs.


In the meantime, if you’re interested in a complex murder mystery that pays homage to the classic whodunit, the Kent Fisher murder mysteries maybe for you. You can find out more on my website, where you can also sign up to my email newsletter.

An interview with author Paula Williams

I’m delighted to welcome crime novelist Paula Williams to Robservations. The third novel in her Much Winchmoor series, Burying Bad News, is published on 17th March 2020.

Having enjoyed the first book in the series, Murder Served Cold, I thought it would be interesting and fun to learn more about Paula and her writing.

Paula, please tell me a little about yourself and your writing.

I began my writing career writing short stories and serials for women’s magazines, which I still do sometimes, although it’s now a sadly shrinking market.  So I started thinking of a change of direction and decided to dip my toe in the murky waters of my first love, crime fiction.

A couple of years ago, I was lucky enough to be taken on by Crooked Cat Books and have recently moved across to their Darkstroke imprint, which focusses on crime and all things dark.  Darkstroke is about to publish Burying Bad News, the third in my Much Winchmoor Mysteries.

I live in Somerset with my husband and a gorgeous rescue dog, a Dalmatian called Duke.  My books are mostly set in Somerset and very much inspired by my friends, neighbours and fellow regulars in my local – although none of them, as far as I know, have murderous tendencies.

When did you first realise you wanted to be an author?

I wanted to be an author for ever!  I started writing stories as soon as I could hold a pencil.  Although my mother used to say that I was making up stories long before then, but they were of the ‘It wasn’t me, Mum, it was him’ variety.

Describe the first piece you wrote and what it meant to you?

I can remember writing an essay in school when I was about 12.  The topic was to discuss whether it was better to be the eldest or the youngest in the family.  I had very strong views about this, as I come from a large family and am firmly in the middle.  I got an A for my essay and Mrs Phillips (see, I can still remember her name) read it out to the class and called it an ‘excellent’ piece of writing.  I can still feel the glow of pride that gave me and it made me realise that writing isn’t really work when you’re writing something you feel strongly about.

What do you most enjoy about being an author?

Oh my goodness, just about everything.  It still gives me a buzz to hear myself described as such.  It is the best job in the world.   I really love the actual process of writing, especially in the beginning when I’m still sorting things out and the possibilities are endless.  I love creating a world that I can control.  But most of all, I think, I love it when people take the trouble to read my books.  It’s quite humbling that someone will give up a bit of their precious time to sit down and read ‘the book what I wrote!’  And if they leave a review, well, that’s the icing on my happy cake.

What do you least enjoy about being an author?

I know I’m not going to be alone in this when I say the thing I like the least is marketing.  Like many writers, I am an introvert and at my happiest when I’m on my own at my desk, talking away to the characters in my head… or, as if often the case, listening to them.

Putting myself ‘out there’ on social media is, quite simply, terrifying.  But it’s part of the job so I get on with it and spend a lot of my time studying how the successful authors (like you, Robert) do it.

(I don’t know about successful, Paula, but thank you.)

What type of characters do you love and hate to write? Why?

I love to write about feisty old ladies!  My mother in law was one and although she’s no longer with us, she certainly lives on within the pages of my books.  They are such fun to write.  I don’t have any characters that I hate to write.  I enjoy writing them all, especially the villains.

On your Amazon author page you talk about your first success being with short stories. Can you tell us a little more about what you wrote and how it led to writing novels?

The first short story I had published was an only slightly fictionalised account of a pageant I wrote when I was about eight and forced my younger brothers to appear in.  It was staged on our front lawn, to celebrate St George’s Day and everything that could do wrong did go wrong.  It must have been hilarious for the adults who’d been press-ganged into watching although I don’t remember anyone laughing.  So I read this how-to-write book that talked about writing about what you know and wrote about the pageant.  And, to my amazement, Woman’s Weekly bought it straight away.  When it was published, I bought each of my brothers a bottle of champagne and a copy of Woman’s Weekly.  They claim they’re still traumatised by the pageant and haven’t yet forgiven me.

I got into writing novels because I found I enjoyed writing crime as much as I enjoyed reading it.  In fact, the first in my Much Winchmoor series, Murder Served Cold, started life as a two part, 8,000 word serial for Woman’s Weekly and I enjoyed the characters so much, I couldn’t let them go. (Or, should that be, they wouldn’t let me go?)

In your blog you ask authors where they get their ideas. Where do you get your ideas?

I have lived most of my life in small communities, apart from a few years when I lived in Bristol.  I grew up on a farm in South Somerset and couldn’t wait to get away from the place – which I did when I was 18.  I married a Bristolian and thought I was set to live in Bristol for the rest of my life.  (I’d become a ‘proper townie’ by then).  But five years after we married, he was transferred to Somerset and I ended up living in the same sort of small community I’d been so eager to leave a few years earlier.

That was two children, four dogs and almost a whole lifetime ago now and I’m still here!  The difference is that now I love it and wouldn’t live anywhere else.  My family, friends and neighbours, even the lady in the queue next to me in the supermarket, are a constant source of inspiration to me.  Where would I be without them?

What inspired you to write the Much Winchmoor stories?

I was in my local pub one day and was, as is often the case, more interested in the conversations of others than listening to my husband and his friends bemoaning the sorry state of English rugby/cricket/weather or whatever their current moan was, when a voice rang out across the bar. “Well, everyone knows that Marjorie Hampton (not her real name) killed the Farm Shop”.  And that got me thinking.  (A) I knew the lady in question and she would never kill anyone or anything, least of all the local farm shop (Tesco’s managed to do that all on their own) and (B) why was that particular man so angry about it.  And then I started trying to answer that question.  The result was the 2 part serial I was talking about earlier.

How would you describe your books to someone who has never read one before?

Hmm, that’s a tricky one.  I suppose the genre is cosy/cozy crime but, I like to think, with a difference.  It’s more like what would happen if Janet Evanovich’s Stephanie Plum was transported to rural Somerset.  Kat, my main character, is feisty, with an answer for everything.  She’s also been likened to Sue Grafton’s Kinsey Mahone and M.C. Beaton’s Agatha Raisin.  So she’s in pretty good company.

What’s the best compliment you’ve received about your books?

I think the best compliment of all is that someone has taken the trouble to read one of them and I am grateful to each and everyone of my readers, particularly those who are kind enough to leave a review.  I treasure every single one.

But one of my most treasured compliments came from a story I wrote for Woman’s Weekly.  It was about a widow, struggling to come to terms with her husband’s sudden death,  who was persuaded to keep a journal to write down her feelings.  She did so quite reluctantly but gradually came to discover just how very therapeutic writing can be. (And there’s a lovely rescue dog in the story as well).  The magazine forwarded a letter they’d received from a reader, saying that she too had been recently widowed and that after reading my story, had tried keeping a journal.  And it had worked!  She found (as all writers know) that writing can be the best therapy.  That just blew me away!

In fact, while I’m thinking about it, I am going to put that story on my blog,  It can be found here.

Do you have any favourite authors? What is it about them or their work that appeals to you?

I’m going to start with Agatha Christie because my mother introduced her to me when I was 12 and I’ve loved her writing ever since.  I also love Charlotte Bronte and reread Jane Eyre every few years.

I’m very lucky to be published by Crooked Cat/Darkstroke and have found some brilliant new to me authors there.  Another great way I’ve come across new to me authors is by joining the UK Crime Book Club on Facebook, which is where I came across you, Robert, as well as many other great crime writers.  It’s a brilliant group with a good mix of writers and readers of crime fiction.

If you could invite four guests (fictional or real, alive or dead) for dinner, who would you choose and why?

I’d invite Alan Coren (because he was so clever and witty and I miss him, even now, after all this time); Inspector Morse (because I really enjoyed both the books and the TV series and I have never watched or read the last one where he dies! Also because I share his love of choral music and crosswords although I’m not nearly as good at them as he was) ;  Mrs Phillips, my English teacher from school to whom I owe so much.  I’d love to have met her as an adult – although I’m not sure what she would make of my books!  And finally, I’d love my mother to be there.  She died many years ago but instilled in me a love of reading that has never left me.  I would dearly love to see her face when I place one of my books in her hand.  I think she’d have been proud – although she’d probably tell me that Agatha Christie would have tidied things up better – and, of course, she’d be right!

Please tell me about your latest project/plans for the future.

I’ve just finished an 8-part serial for the People’s Friend magazine and am now working through the edits for my third Much Winchmoor book, Burying Bad News, which is to be published on March 17th.  I’m really looking forward to getting the edits out of the way, as the fourth book in the series in clamouring to be heard.  It’s a bit crowded inside my head at the moment.

Thank you for the glimpse into your world, Paula. It’s always a delight to talk to authors who love what they do as much as you. Your enjoyment and sense of fun shine through in your writing.

Good luck with Burying Bad News.

Social Media Links

Blog – paulawilliamswriter.wordpress.com

Facebook author page – https://www.facebook.com/paula.williams.author.

Twitter –  @paulawilliams44.

Website –  paulawilliamswriter.co.uk

Instagram – paulawilliams_author

Amazon links to the Much Winchmoor Mysteries

https://mybook.to/murderservedcold

Murder Served Cold

https://mybook.to/roughanddeadly

Rough and deadly

https://mybook.to/buryingbadnews

One severed head, two warring neighbours – and a cold-blooded killer stalks Much Winchmoor. There’s the murder made to look like a tragic accident, and a missing husband. Could he be victim number two?

The tiny Somerset village is fast gaining a reputation as the murder capital of the West Country, and once again, reporter/barmaid/dog walker Kat Latcham finds herself reluctantly dragged into the investigation.

Things are looking bad for Ed Fuller, the husband of one of Kat’s oldest friends. Kat’s convinced he’s innocent – but she’s been wrong before.

Has Kat come across her biggest challenge yet?

Fans of Janet Evanovich could well enjoy this “funky, modern day nosey detective” transported to the English countryside. The third Much Winchmoor mystery is, as always, spiked with humour and sprinkled with a touch of romance.