A Clerical Error by J New

4/5 stars. Good writing and storytelling kept me entertained from start to finish.

Description

When the crime scene is pure coincidence and there’s no evidence, how do you prove it was murder?

Ella Bridges faces her most challenging investigation so far when the vicar dies suddenly at the May Day Fete. But with evidence scarce and her personal life unravelling in ways she could never have imagined, she misses vital clues in the investigation.

Working alongside Sergeant Baxter of Scotland Yard, will Ella manage to unearth the clues needed to catch the killer before another life is lost? Or will personal shock cloud her mind and result in another tragedy?

‘A Clerical Error’ is set in 1930’s England, and is the third of The Yellow Cottage Vintage Mystery series.

My thoughts

I enjoyed The Curse of Arundel Hall, the second in the Yellow Cottage Vintage mystery series, which introduced me to Ella Bridges, a woman of some substance, so I was looking forward to reading this.

With a personal mystery hanging over from the previous story, Ella soon becomes embroiled in the death of the local rector, who has only recently returned from his travels. While she seemed a little arrogant at times, there’s no mistaking her determination to organise the investigation and solve the mystery.

The style and atmosphere of the 1930s is beautifully evoked, leading to a gentle pace and style that allows the characters to shine through. I particularly like her aunt, who stole every scene she appeared in and helped Ella to solve the crime.

I found the solution a little convenient, but it was well set up and executed and doesn’t detract from the good writing and storytelling that kept me entertained from start to finish.

4/5 stars

A Clerical Error

Revising my opinions

Or did I really write that?

Yes, I’m afraid I did write it. When you’re writing a novel, there’s no one else to blame for the words you choose and the way you put them together. (Ghost writers excepted.)

It’s your name on the cover and there’s no hiding.

But before we get too carried away with responsibility, let’s go back to where it all started – the first draft.

Michael CrichtonNow, in writing circles, everyone tells you the first draft is the start. Michael Crichton said, books are not written they’re rewritten. And he’s right. Of course he is. The chances of turning out a perfect novel first time must be greater than winning the lottery. The opposite’s usually true – most authors could happily tinker away at their work for years to come. (We’re talking sentences and paragraphs here.)

We grow in confidence. We get better. We expect more of ourselves.

But we’re never satisfied!

Anyway, back to that pesky first draft. There’s a pretty good chance it will be too long, too meandering, repetitive, lacking suspense in the right places, or any number of other issues that mean it bears little resemblance to the perfectly formed creation in our imagination.

Ernest HemmingwayOr, if you’ll forgive the Anglo-Saxon, I’ll defer to Ernest Hemmingway, who apparently said, the first draft of anything is shit.

While I’ve no wish to argue with someone so respected, I would say the first draft of anything can usually be improved. So, why, on the third round of editing and revising, did I come across a chapter that made me wince?

Did I really write that?

It’s my own fault. I started writing the third Kent Fisher mystery, No Remorse, without an outline, a synopsis, or a plot. The story was a simple trail from the present into the past to discover a dark secret. Kent Fisher and I started with a challenge and set off on the trail. We discovered the clues, followed the leads, and dealt with the obstacles as they occurred, never quite sure where they would take us until everything began to fall into place towards the end of the story.

I was pretty pleased with the first draft, I can tell you.

Once written, I printed out the first draft and set the manuscript aside to distance myself before editing and revising. In this case, I allowed two months to pass before I read the story from cover to cover over three days, my trusty fountain pen in my hand.

Boy, did I make some notes and alterations.

EditingThe purpose of this read through is to discover whether the story hangs together, whether it works. But in addition to the structural elements, you soon spot errors, changes in character names, events referred to wrongly, repetitions, boring descriptive passages and so on.

More importantly, you get a feel for the overall balance of the story. Does it flow logically? Do the characters behave correctly, dealing with conflict after conflict in a realistic way?

I hesitated. There were a couple of chapters where things were a little too easy, a little too convenient for Mr Fisher. I spent a considerable amount of time trying to correct the problem, trying different ideas, until finally it felt right.

I wish!

Come the second edit and revisions, I reached the revised chapter and winced. I’ve no idea what happened when I rewrote the chapter, but clearly my brain and fingers were working to different agendas.

Do you ever suffer that? You’re thinking one thing but saying or doing something else?

Fortunately, I saw a solution that not only worked better than the previous two versions, it added something more meaningful to the character and story. And now, a few days after emerging from 10 days of intense editing and revision, I realise this process was a necessary evolution to get the story where it needed to be.

No pain, no gain, as they say.

And that’s why editing and revising are so important. I only discovered how important a little over two years ago while working with a publisher’s editor for the first time. We batted ideas, solutions and revisions back and forth for a couple of months. She showed me a different slant to my words. She helped me improve whole sections of the story, like polishing a tarnished surface to a shine.

It was fun. It boosted my confidence. It showed me how to distance myself from my work so I could look at it with an objective eye.

If only I could do the same with my life … but that’s probably a story for another day.


No Remorse is scheduled for release in May 2018.

If you’d like to know more about No Remorse or the other Kent Fisher mysteries, you can visit my website by clicking here.

Or if you want to learn more about the characters and stay up to date with new releases, you can join my Reader Group by entering your details below. I’ll never share your information or spam you, and you can unsubscribe any time. You’ll receive a free copy of A Health Inspector Calls, filled with humorous tales from my work, if you do.

U will be sadly missed

I have to confess I had to blink back a couple of tears when I wrote my review of Y is for Yesterday, which has turned out to be the last novel in the Kinsey Millhone series by Sue Grafton.

(Click here to read my review)

A is for AlibiAs I’m sure I’ve written elsewhere, I discovered A is for Alibi, the first in the series, in the late 1980s. The moment I began reading, I loved the feisty private investigator with her sardonic asides and no-nonsense attitude to life and criminals. But the stories were about much more than crime. Kinsey had an intriguing backstory concerning her family.

This began to play out over the series, adding an extra layer to the books.

Then there was Henry, her neighbour and landlord, who was her sounding board, protector and best friend throughout the series. From time to time, his colourful brood of relatives popped in to lighten a story.

We had Rosie, the owner of Kinsey’s local eatery where Hungarian dishes, made with various cuts of offal, complemented by cheap white wine, never failed to raise a smile. Then there were the police officers she knew, the detectives who helped her and vice versa, and an enormously entertaining support cast that you looked forward to meeting again in future stories.

I think G is for GumshoeSue Grafton brought something new and different to the private detective novel. There was no room for world weary detectives with smoky offices and cynical asides. She created a protagonist, who on the surface was not much different from you and me. She didn’t come with excess baggage, worried about taxes and parking while she struggled to make a living. She was a sucker for hard luck stories, fiercely independent, but loyal to her friends. But she had attitude and balls, tenacity and wit, often putting her life on the line as she did her job.

You felt you knew Kinsey. She was someone you could talk to, someone who would support you. She was someone you wanted as a friend. But she’d tell you straight if you were wrong. And fight for you if you were right, whatever the odds.

Sue Grafton showed me a different way to write the private detective novel, inspiring me to create Kent Fisher, an ordinary man who would learn to solve murders. He had wit, humour and tenacity, a love of animals and the underdog.

When a small independent publisher in the United States published the first novel, No Accident, in June 2016, I sent a message through Facebook to Sue Grafton. I never expected her to read it. Let only reply, but she did, wishing me a long a productive career.

I couldn’t believe it. My favourite author was talking to me.

It was the start of a conversation that ran for six months. I asked her lots of questions, she replied candidly, sometimes surprising me with her honesty about her early struggles as an author, about the problems of writers’ block and how long it took her to write a book.

I believe she was an intensely private person, who still seemed baffled by her success and struggling with the pressures it brought – as if there weren’t enough challenges, having to produce 26 novels eventually.

Sadly, she didn’t quite make it, but her legacy will live for many years. I’m sure new fans will discover Kinsey Millhone and come to enjoy her adventures as much as I have. While not every story reaches the same dizzy heights, the novels never fail to entertain. They offer a glimpse of life in 1980s California, in a fictional seaside town, lapped by the Pacific Ocean, where the smell of Henry’s baking beckons you over for a chat and a glass of wine as you try to solve some of the most intriguing and original crimes you can imagine.

U is for undertow

U will be missed, Sue Grafton.

 

Y is for Yesterday by Sue Grafton

4/5 stars. It’s sad that this will be Kinsey’s last adventure, but she bows out with her head held high at the end of a remarkable series.

Description

The darkest and most disturbing case report from the files of Kinsey Millhone, Y is for Yesterday begins in 1979, when four teenage boys from an elite private school sexually assault a fourteen-year-old classmate–and film the attack. Not long after, the tape goes missing and the suspected thief, a fellow classmate, is murdered. In the investigation that follows, one boy turns state’s evidence and two of his peers are convicted. But the ringleader escapes without a trace.

Now, it’s 1989 and one of the perpetrators, Fritz McCabe, has been released from prison. Moody, unrepentant, and angry, he is a virtual prisoner of his ever-watchful parents–until a copy of the missing tape arrives with a ransom demand. That’s when the McCabes call Kinsey Millhone for help.

As she is drawn into their family drama, she keeps a watchful eye on Fritz. But he’s not the only one being haunted by the past. A vicious sociopath with a grudge against Millhone may be leaving traces of himself for her to find…

My thoughts

In what has sadly turned out to be Kinsey’s last investigation, she’s given a hot potato of a case where all the participants have plenty to hide. As she digs into the details with her usual tenacity, flashbacks to events ten years earlier show what really happened.

Meanwhile, lurking in the shadows is Ned Lowe, a violent killer with a score to settle. Add in a few domestic issues with Kinsey’s cousin and some unexpected visitors who take advantage of her landlord, Henry’s, hospitality, and there’s plenty to occupy my favourite private detective.

Reading Sue Grafton is always like meeting up with an old friend, catching up on events, revisiting familiar settings and the characters that bring such colour to the novels. Granted, the pace is often gentle (until the fireworks commence), but the stories are filled with intrigue and danger, laced with Kinsey’ sardonic observations and one-liners.

There was still time for a couple of neat twists to the story and a range of vivid characters to keep the story moving on to its exciting climax.

It’s sad that this will be Kinsey’s last adventure, but she bows out with her head held high at the end of a remarkable series. I tip my hat to anyone who can write a series of 25 novels, maintaining a consistently high standard of stories that entertain, intrigue and satisfy her fans.

I shall miss Kinsey Millhone, but I’m so glad I discovered Sue Grafton’s books 30 years ago. Something tells me I’ll be reading them again soon and for many years to come.

4/5 stars.

Y is for Yesterday

The Good Mother by Karen Osman

3/5 stars. The plot and the twist placed constraints on the way the story was told, draining much of the tension and suspense from it.

Description

How far would you go to protect your children?

A gripping psychological suspense, with a shocking twist that will leave you reeling…

Catherine is a good mother and a good wife. The family home is immaculate, her husband’s supper is cooked on time, but when she starts writing to Michael, a prisoner convicted of murder, she finds herself obsessing about his crime and whether he can ever truly be forgiven…

Kate has no time for herself. Caught in the maelstrom of bringing up two young children with no money, and an out-of-work husband, she longs to escape the drudgery of being a wife and a mother. And she soon starts taking dangerous risks to feel alive…

Alison has flown the nest. But university life is not what she had hoped for, and she finds herself alone and unhappy. Until the day her professor takes a sudden interest in her. Then everything changes…

Three women – all with secrets. And as the days tick down to Michael’s release, those secrets can no longer be ignored.

My thoughts

I was puzzled when I finished this book – not at the ending, but my reaction to it. The shocking twist didn’t leave me reeling – quite the opposite.

“Is that it?” I thought, not sure why I felt flat. The story is well-written, cleverly plotted, and I thought the characterisation of Kate, Alison and Catherine was excellent overall. They came to life from the first paragraph and kept me intrigued as their stories unfolded.

I don’t think the tagline – gripping psychological suspense, with a shocking twist that will leave you reeling – was to blame. I ignore these overblown and all-too-frequent claims by publishers. However, this didn’t feel like psychological suspense to me. The tension didn’t build or grip me, especially towards the end when two of the story strands faded out.

This turned out to be necessary for the twist.

And that’s why I felt flat. The plot and the twist took over. They placed constraints on the story and the way it was told to disguise the twist. The resulting compromises affected character behaviour and some of the decisions made by the women. The overall result, I feel, was to drain much of the tension and suspense from the story.

It’s a shame because I think the author is talented. She brought the characters to life with some excellent writing and insights, and had she not gone for the clever plot and twist, I think The Good Mother could have been a tense, suspenseful story.

3/5 stars.

The Good Mother

Not Dead Enough by Peter James

5/5 stars. I hope Peter James enjoyed writing this story as much as I enjoyed reading it.

Description

Appearances can be deceptive; but the truth is a dangerous thing . . .

On the night Brian Bishop murdered his wife he was sixty miles away, asleep in bed at the time. At least that’s the way it looks to Detective Superintendent Roy Grace, who is called in to investigate the kinky slaying of beautiful socialite, Katie Bishop.

Roy Grace soon starts coming to the conclusion that Bishop has performed the apparently impossible feat of being in two places at once. Has someone stolen his identity or is he simply a very clever liar?

As Roy Grace digs deeper behind the façade of the Bishops’ outwardly respectable lives, it becomes clear that everything is not at all as it first seemed. Then he digs just a little too far, and suddenly the fragile stability of his own troubled world is facing destruction . . .

Not Dead Enough is the third bestselling title in the Detective Superintendent Roy Grace series from the number one bestselling author Peter James.

My thoughts

I hope Peter James enjoyed writing this story as much as I enjoyed reading it.

I loved it from the first page to the last, revelling in the wickedly devious plot that began with a murder and a clear suspect in Brian Bishop. Only he didn’t do it. He’s adamant about that. And I agreed with him, even when the evidence began to build up against up him. And then I worked it out, which increased my enjoyment as I watched the plot twist and turn, the tension build. Only I was wrong, because along came another masterful twist to sweep me into the dramatic endgame, which left me breathless by the end.

It’s a long story, but it will live longer in my memory for many reasons.

The author’s customary attention to detail not only adds realism and authenticity – it builds trust in the reader, building a bond that increased my enjoyment and admiration. After the previous novel, Looking Good Dead¸ (read my review here) I wanted to learn more about Roy Grace’s life and the mystery of his wife’s disappearance. Then there’s the politics of policing, struggling with decreasing budgets, concerns about how the Crown Prosecution Service will view the case – still highly relevant and part of the climate today.

All these factors support and enhance a terrific plot and crime story that I would recommend to anyone.

Peter James is a writer at the top of his game and an inspiration.

5 stars

February 2018

Not Dead Enough

Authors who inspire me to write better

Last weekend, I wrote about the authors who inspired me to move from the ideas buzzing around my head to putting fingers on the keys of a typewriter or word processor. (You can read the post here.)

Sue Grafton’s alphabet murder series, featuring Kinsey Millhone, helped me believe I could create my own detective and write crime fiction. Now, with two books published and the third scheduled for May this year, my inspiration comes from other crime writers who bring their own style and ideas to the party.

Plenty of choice

Let’s face it, there are millions of books out there, each vying for your attention as you scan the results on Amazon, Kobo or your local library bookshelves. But out of those millions, how many will appeal to you? How many would you class as ‘essential reads’? How many books would you buy on the strength of the author’s name?

There are so many good writers out there, offering different spins on the same themes and subjects. Why do some capture your imagination more than others? Why do they talk to you in a way that others don’t? What is it that draws you to a particular writer?

I’ve no idea, but I suspect it has a lot to do with the author’s voice and style. The author talks to you in a way you like and understand. The story and characters still have to be good, and familiar settings can help, but there’s something about particular authors that strike a chord or two.

I could list well over twenty authors, whose police procedurals, psychological thrillers or private detective novels have entertained me over the past few years. (There’s a similar list of authors whose books were dumped after a few chapters or pages.)

But at the moment, there are only four authors who inspire me, who make me want to write stronger and better to reach the benchmarks they set. They all write police procedural series with strong central characters, imaginative plots, and dramatic storylines. Yet each author is distinct, bringing something different to the table. I’ve listed them in the order I discovered them.

Robin Roughley – DS Lasser series

Tethered to the DeadRobin has written fifteen of sixteen books so far, set in and around Wigan, but I’ve only just finished reading Tethered to the Dead, which is No 3, but I love the character and his fearless pursuit of criminals. The plots are complex and explode in all directions from a simple crime. There’s social comment, an unflattering view of the seedier side of life, and a wonderful optimism and wit that reassures you that the world will be all right once DS Lasser gets the killer.

But best of all, I like the way the author takes you into the heads of his characters, good and bad, revealing there essence in a few paragraphs.

Peter James – Detective Superintendent Roy Grace

Not Dead EnoughAgain, I’m only on book three, Not Dead Enough, but I can see why Peter James is one the top crime writers in the country. Not only is he an excellent writer who can create memorable characters and brings them to life in a few paragraphs, his plots are wickedly clever. He portrays all shades of Brighton and offers plenty of social and political comment in his investigations, but it’s his attention to detail and police procedure that lift his stories above most of the others. That detail about how the police operate, the systems they use, the buildings they occupy and the rules and regulations that govern their work add great credibility and authenticity to the novels.

LJ Ross – DCI Ryan

I’m a newcomer to this series, set in Northumberland, but again, it’s the story and characters that matter, including a touch of romance, which we all enjoy, don’t we? Holy Island, had a distinctive plot, laced with an undercurrent of ritual and mysticism, to tax the charismatic lead characters in a tale filled with suspense and drama. The style leans more towards the cosy end of the crime market, but remains modern and relevant, which appeals to me.

Book two, Sycamore Gap, is my next read.

Rachel Amphlett – DS Kay Hunter

Will to Live coverI’ve only recently discovered this series and enjoyed the first two books, Scared to Death and Will to Live. Rachel has a no-nonsense, economic style of writing that engages you from the first paragraph. Like Peter James, her plots are different and deftly delivered with a touch of wit and humour to lighten the tone.

While she tackles gritty subjects and hard hitting crimes, she manages without littering her stories with profanities and gratuitous descriptions or violence, which proves it’s the story that counts. I also like to write this way.

These authors all have distinctive styles, but share a number of characteristics that heighten their appeal and inspire me, namely

  • strong central characters who will do whatever it takes to bring the villains to justice
  • complex, twisting plots that baffle, intrigue, entertain and fulfil
  • realism and credibility
  • humour and wit, often dark, that’s often lacking in many novels.

 

Though a newcomer to crime fiction with much to learn, these are the characteristics I strive to bring to my novels, and I’m delighted I’ve found such fantastic examples to show me the way.

I’m sure there will be many more authors in my ‘To Be Read’ pile that will entertain and hopefully inspire me.

That’s the joy of reading.


Click here for reviews of the novels mentioned in this post.

If you’d like to find out more about my novels and lead character, Kent Fisher, please check out my website at http://robertcrouch.co.uk or my Amazon page.

If you’d like exclusive previews and insights, sign up to my Reader Group by entering you details in the form at the top right of the page.

The Missing Children by MA Comley

3/5 stars. The story had a decent pace and plenty of drama as it flicked between the police and the abductors of the children.

Description

The first gripping thriller in the DI Kayli Bright trilogy.

“I want my mummy…”

The whisper seems to echo through the rooms of the abandoned house. DI Kayli Bright and her partner, DS Dave Chaplin, aren’t strangers to dealing with bad cases, but no one can prepare for the emotional and mental anguish caused by the discovery of a child’s remains.

Determined to find the responsible culprit, several of the dead child’s family members surface on their radar of suspects…until they learn of another child’s abduction.

The investigation leads Kayli to the shocking conclusion that even more children in the area have been abducted. A race against time ensues to find the children before they get lost in a sinister, evil world.

My thoughts

I’m always interested in trying an author I haven’t read before and overall I enjoyed The Missing Children. The story had a decent pace and plenty of drama as it flicked between the police and the abductors of the children. Due to the subject matter, there was a high emotional level on all sides. The author wanted to show how crimes against children affect the investigating police officers, but this seemed to be at the expense of their professionalism and objectivity.

The story felt rushed and as a result the characters didn’t feel fully developed to me. They came across a bit lightweight and preachy. Some of the banter between DI Bright and DS Chaplin didn’t sound realistic as they seemed to be talking moral messages at times. The two of them also seemed to run around, carrying out most of the investigation themselves, despite having a team to support them.

While I welcomed her tenacity and commitment, DI Bright seemed to skip round police procedures and even break a few rules. I know all mavericks do this, but she didn’t strike me as a maverick no matter how well-intentioned and determined she was. Ultimately, this lack of professionalism starts to affect the credibility of the characters and story.

However, the action sequences were dramatic and well-handled, and the story was neatly wrapped up at the end.

3/5 stars

The Missing Children

The authors who inspired me to write – Part One

“If there’s a book you want to read, but it hasn’t been written yet, then you must write it.”
Toni Morrison.


Reading inspired me to write. The discovery of exciting new worlds, memorable characters and epic conflicts made me want to create my own. I wanted to bring as much enjoyment and pleasure to others as reading had brought to me.

Early stirrings

Famous Five seriesFrom the moment I learned to read, words captivated me. They offered me imaginary worlds, characters I knew better than my friends, and exciting stories that brought me every emotion you could imagine. From books, I learned about life, friendship, courage, good, evil, and love.

The first books to grab my imagination and feed it with possibilities were Enid Blyton’s Famous Five stories. I wanted to join their adventures, to fight the bad guys and defeat evil, making a difference to the world.

The short stories I wrote for English homework mimicked these adventures, allowing my imagination to flourish.

The Narnia series by CS Lewis took me to more mystical worlds, where the fight between good and evil was much sharper as the future of mankind seemed to be at stake. For the first time I discovered betrayal and consequences, further feeding my developing imagination. Sitting in the attic of the house, I longed for a magic wardrobe, but had to make do with pen and paper.

The novel that changed my life

To Kill A Mocking BirdTo Kill A Mocking Bird by Harper Lee had such a profound effect of me, I still find it almost impossible to put it into words today. Let’s just say it transformed the way I looked at the world.

I couldn’t believe that such ignorance and prejudice could exist in an educated world. I felt angry, driven to write my own novel that showed how education and working together would always defeat evil in any form it took.

I was 16 at the time, with little idea of how complex life could be, or how to get a book published, but I had to speak out.

Intellectual – don’t make me laugh

Harper Lee increased my appetite for more literary novels to feed my intellect. Tolkien and Aldous Huxley led me to Somerset Maugham to DH Lawrence to Graham Green and finally HE Bates.  I enjoyed their stories and their different styles, but none captured my imagination or inspired me to write.

Wilt Tom SharpeBut Tom Sharpe did.

He blew my socks off with Riotous Assembly, which satirised the Apartheid regime in South Africa and reduced me to  helpless laughter, often forcing me to read under the bedclothes so I didn’t wake anyone, with Wilt. He inspired me to write a humorous novel of my own. Though I couldn’t find a publisher that would take They Laughed at Noah, it remains one of my favourite novels and often begs me to revise and rewrite it for today’s readers.

A Joy to read

I continued to write as marriage and building a home took precedence, but nothing fired my imagination until I chanced on Joy Fielding’s See Jane Run. This psychological suspense story pulled me in with its terrific opening sentence and never let me go.

While I tried to write my own psychological suspense novels, I struggled with the plotting, failing to generate the suspense needed.

Then Colin Dexter and Agatha Christie came to my rescue, though I never read their books at the time. The TV adaptations of Inspector Morse and Miss Marple ignited a desire to write crime fiction. The shows taught me how to develop taut, complex plots alongside engaging characters. I still watch the shows today, always learning, always enjoying.

Despite the desire to write crime, and my newly acquired knowledge of plotting, I still struggled to produce memorable stories. It took one more book, or should I say series, to inspire me.

It’s as simple as ABC

Sue GraftonSue Grafton’s alphabet series blew my socks off.

I came across the first three novels in a compendium by a book club, which I ordered for free as part of an introductory offer. I had no idea what to expect and I didn’t know at the time that this book would become one of my most treasured possessions.

When I started A is for Alibi, featuring feisty Californian PI, Kinsey Millhone, I had never read another book like it. The first paragraph not only captured my imagination, it compelled me to write my own murder mystery novels.

Sue Grafton created something quite different and unique and showed me what was possible. Sadly, she died recently, not long after the publication of Y is for Yesterday, but as my own lead character, Kent Fisher, is a Kinsey Millhone fan, this wonderful author will never be far from my thoughts.

In Part Two, I’ll talk about some of the current authors who inspire and delight me.

If you want a sneak preview of who they might be, take a look at the Reviews page on my website, where I offer my thoughts on the books I read. You may find some of your favourite authors there.

And if a book or author inspired you, please tell me about it by leaving a comment below.

 

Will to Live by Rachel Amphlett

5/5 stars. The story flies along like an express train, packed with suspense, excitement and twists as it races towards the exciting and satisfying climax.

Description

When a packed commuter train runs over a body on a stretch of track known to locals as ‘Suicide Mile’, it soon transpires that the man was a victim of a calculated murder.

As the investigation evolves and a pattern of murders is uncovered, Detective Sergeant Kay Hunter realises the railway’s recent reputation may be the work of a brutal serial killer.

With a backlog of cold cases to investigate and attempting to uncover who is behind a professional vendetta against her, Kay must keep one step ahead of both the killer and her own adversaries.

When a second murder takes place within a week of the first, she realises the killer’s timetable has changed, and she’s running out of time to stop him…

My thoughts

I couldn’t wait to read the second novel in the Kay Hunter series, having enjoyed the first book, Scared to Death. Having read Will to Live, I can say that Rachel Amplett is fast becoming one of my favourite authors.

Will to Live begins with a suspicious death on a railway line renowned for suicides. But of course it’s a murder and the story flies along like an express train, packed with suspense, excitement and twists as it races towards the exciting and satisfying climax. The characters, including the villains, are well rounded and realistic, allowing readers to get into their heads and understand their motivations as the story rattles along, showing both sides of the murders.

Only one issue remains unresolved – who’s trying to undermine and destroy Kay’s career and possibly her life? Previous attempts to discredit Kay have failed, and with the support of Detective Inspector Sharp, she battles to restore her credibility, despite being constantly undermined by her Detective Chief Inspector Larch. With her husband’s support, she starts to probe, determined to discover who wants to destroy her, unaware of what she’s about to unleash. Then a colleague is badly beaten up after she uses his computer to do her digging.

The author’s direct style and the unusual but intriguing murders, distinguish this author’s work from the myriad of crime stories on the market. It’s easy to read and follow and you can’t help being drawn in by Kay’s resolve and determination to solve the crimes, despite the sinister threat to her future.

While you don’t need to read Scared to Death to enjoy this second in the series, why deny yourself the pleasures of a great book by an accomplished writer and storyteller?

Click here if you’d like to read my review of Scared to Death.

A well-deserved 5/5 stars.

Will to Live cover