11th February 2020. 4 stars.
The story grabbed me from the start, thanks to the quality of the writing, the high stakes and the sharpness of the characters. DI Ellen Kelly in particular was vividly drawn with her flaws, self-doubts and fears, adding to the tension and suspense.
The abduction of a child must be a parent’s worst nightmare and this was well-portrayed throughout the story as the pressure mounted and facades began to crumble. Though it’s pretty much impossible to like or empathise with someone who takes a child, the abductor could also be viewed as a victim of a tragic past he never recovered from.
There’s a lot going on as the story develops and deepens, with Ellen and the police floundering for much of the story. The climax is exciting with a twist that wasn’t entirely unexpected, but it didn’t take anything away from the impact. I wasn’t overly keen on the way the viewpoint kept switching around during the climax, making it a little bitty, but it’s a minor niggle.
If you enjoy police procedurals with strong, but flawed characters, high stakes and a complex plot, Hunting Shadows is well worth reading.
Lee, southeast London. A young girl has disappeared. There are no witnesses, no leads, no clues. The police are tracking a shadow, and time is running out …
DI Ellen Kelly is at the top of her game – at least she was, until she took the law into her own hands and confronted her husband’s killer. Now she’s back at work, leading the investigation into the missing child. Her superiors are watching her; the distraught family is depending on her.
Ellen has a lot to prove. And she knows it.
A tense thriller that stalks the urban streets of southeast London and the bleak wilderness of the North Kent coast, Hunting Shadows introduces the forceful, compromised police detective, DI Ellen Kelly.