When a reader first asked me this question, images of Miss Marple and tearooms in quaint country villages sprang into my head.
That’s okay, I thought, because I love Miss Marple and Agatha Christie. They’re one of the reasons I write traditional whodunit mysteries. When bestselling author, Tamara McKinley suggested that Agatha Christie fans would love my first novel, No Accident, I was delighted.
But I never envisaged the Kent Fisher mysteries as cosy. They deal with modern, serious issues that don’t feel cosy.
To settle any doubt, I turned to Google.
A quick check suggested cosies were crime fiction in which sex and violence are downplayed or treated humorously, and the crime and detection take place in small, socially intimate communities. The person solving the crime is an amateur, usually but not exclusively a woman, with contacts in the police or other law enforcement agencies.
Well, that got me thinking. There’s no graphic sex in the Kent Fisher mysteries because I believe a reader’s imagination can do a much better job. Any violence is usually confrontational and targeted at Kent to stop him solving a case. The communities are not socially intimate, though most of the action takes place in the small towns and villages of the South Downs. Kent’s an amateur detective, sure, but as an environmental health officer, he’s a law enforcer and often works with the police, giving him certain detection skills.
His best friend is a retired Scenes of Crime Officer.
On balance, it looks like my novels fall into the cosy category.
As Kinsey Millhone, Morse and Miss Marple inspired and influenced me, why did I ever doubt this? After all, my goal has always been to entertain readers with absorbing, complex mysteries, engaging characters with their own stories and troubles, all laced with a healthy dash of irreverent humour.
I prefer to think of the Kent Fisher mysteries as the cosy end of the crime fiction spectrum, like LJ Ross or Dick Francis.